Since 2012, Primitive Man has been churning elements of funeral doom, sludge, black metal, drone and harsh noise into ...

London club KAOS deserve a medal (glistening steel, on a little leather strap, pin through the nipple) for opening the doors ...

Always feels right to open another New Weird Britain with people who came here from elsewhere, and who culturally enrich this ...

EP project blends live performance and post-production tricknology into a new kind of superstrong musical compound ...

World Of Echo has been one of London’s finest record shops since it opened on Columbia Road in 2018. Earlier this year, it left the flower market and chi-chi tat zone behind to move down the road to ...

Welcome, dear readers to Halloween, when in the UK and US children dress as their favourite fictional horror characters (and ...

We are fast hurtling towards end-of-year-list-ageddon, which means this October roundup is one of our last chances to zoom in ...

Since its inception in the early 2000s, the Glasgow Improvisers Orchestra has explored a range of approaches, from free improvisation and graphic scores to conduction and telematic performance via ...

Harris still doesn't quite know what to make of an audaciously experimental, sometimes problematic Grace Jones (& ZTT) LP.

At the 69th annual International Festival of Contemporary Music in Venice, performances by the Kamigaku Ensemble, Jasmine ...

Husband and wife duo Rachel Nakawatase and Ryan Betschart blend their doom with dreampop, noise, ambient and shoegaze ...

Thanks from all of us at tQ to all those who subscribe to the site, and have supported another month of examining and celebrating the best new music, new and old. A quick reminder that those in the ...